This analysis will center the state and people of Japan, from the early 1900&apos;s to the 2000&apos;s. Specifically, we will look at how the Japanese Empire and military faded away and made way for one of the most incredibly fanatic fandom populations in the world. Fandom, or Fanatic Domain, is a collection of fans united by a single story, concept, franchise, or intellectual property (Hills, 801, 2005). Fandom in the US is a looser conglomerate of engaged fans seeking a community. In contrast, Fandom in Japan is a powerful, almost dangerous force. Mangaka, or comic writers/artists, will often use pen names and avatars in their work to avoid public harassment and threats of violence (McDonald, 2024). This is a level of engagement that here in the US we rarely reach but still do at times as with the controversy surrounding the face model of Mary Jane in the newest Spiderman game (Tassi, 2024). This level of engagement, a violent passion to control the narrative, is not yet seen around the world but seemingly only in places with both access to popular global media and a who have history of militarism. That would mean nations like Japan and the US, are perfect examples of this having long-standing national legacies of proud warriors and rebel heroes respectively, along with vibrant globally successful media industries. I theorize that this has led to the movement of violence into fan communities, as the population feels increasingly powerless to affect the world in ways that they see fit with the fading influence of militarism. So, to reclaim that power people engage the media they love, in increasingly passionate ways. The US still holds the world&apos;s largest military giving its people a sense of control on the international stage, making for generally less engaged fandom, in contrast Japan has only a small defense force -making fandom a useful outlet for the wants and worries previously expressed through military action. Part of this passion is a troubling increase in the violence of fandom, but it also leads to more representative media, stories capable of carrying the horror and hopes of a people. It leads storytellers to take the role of mouthpiece for a nation, what once was warred over can now be discussed through animation, and cinematography. I will track this trend through the decade with this project, discussing both the positive and negative aspects to this trend, especially in Japan.

Fanatic Fighters and Crazed Consumers

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Continue storytelling with ArcGIS StoryMaps and keep your content. Request that Esri migrate your account to ArcGIS Online by May 31, 2025, and complete migration by June 30, 2025.

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To complete the migration of your StoryMaps.com account to ArcGIS Online, review and accept the Esri Master Agreement and Privacy Policy before June 30, 2025. For more information on migrating to ArcGIS Online, visit the <link>StoryMaps.com retirement page</link>.

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After one year, you will need to purchase an ArcGIS Online subscription to continue using ArcGIS StoryMaps. Check out the StoryMaps <link>retirement page</link> for more information on the ArcGIS Online subscription options.

ArcGIS <link>StoryMaps</link> is the professional version of StoryMaps and is available as part of <link2>ArcGIS Online</link2>. Both products share similar storytelling capabilities, so if you are familiar with StoryMaps, you'll feel right at home with ArcGIS StoryMaps. Visit the <link3>retirement page</link3> for a detailed comparison between StoryMaps and ArcGIS StoryMaps.

If you do not migrate your account to ArcGIS Online, you can save any content you would like to keep before the June 30, 2025, retirement date. The options for saving content include saving stories as a PDF and saving frames using a screen recording. 

Esri is retiring StoryMaps. On June 30, 2025, StoryMaps will go offline, and StoryMaps content will not be available to edit or view. For more information, please visit the <link>StoryMaps retirement page.</link>

Introducing ArcGIS StoryMaps and ArcGIS Online: <link>AGSM Introduction video</link>

You are invited to migrate your account and content to ArcGIS Online where you can continue storytelling with maps. With ArcGIS Online, you’ll get access to ArcGIS StoryMaps and the easy-to-use story builder you are familiar with, plus so much more!

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Both of these options include access to ArcGIS StoryMaps and the other ArcGIS Online apps and capabilities. Please note that there is a price difference between the two options that you will need to pay if you want to keep your account active when your free subscription expires. See the FAQs on the <link>StoryMaps.com retirement page</link> for more information about these subscription options.

Selecting Request migration below means that you are deciding to change your StoryMaps.com account to an ArcGIS Online subscription. During the free subscription, you will have access to your existing stories and collections via ArcGIS StoryMaps, as well as an array of additional capabilities offered by ArcGIS Online.

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